Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay to the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no one else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one from the most talked about books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended being a trilogy. Did it actually end the way you planned it from your beginning?

A: Very much so. While Some know every detail, of course, the arc with the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the entire writing process.

Q: We understand you worked for the initial screenplay for the film to get based on The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you simply can't take everything with you. The story has to get condensed to suit the new form. Then there's the question of how best to adopt a novel told inside first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss for a second and therefore are privy to all of her thoughts so you'll need a strategy to dramatize her inner world and to produce it easy for other characters to exist beyond her company. Finally, there's the challenge of the best way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of the situation is acceptable on the page that wouldn't be over a screen. So how certain moments are depicted could eventually be inside director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully that it is too hard to consider new ideas?

A: We have a number of seeds of ideas floating around within my head but--given a whole lot of of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges i can start to develop it.

Q: The Hunger Games is once a year televised event through which one boy and one girl from each from the twelve districts is expected to participate in a very fight-to-the-death on live TV. Exactly what do you think that the selling point of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an interest in seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, to ensure whenever they see real tragedy playing out on, say, the news, this doesn't happen contain the impact it should.

Q: In case you were instructed to compete in the Hunger Games, exactly what do you imagine your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to acquire hold of your rapier if there was clearly one available. But the reality is I'd probably get about a four in Training.

Q: What can you hope readers can come away with when they read The Hunger Games trilogy?

A: Questions about how precisely elements in the books could be relevant in their own lives. And, when they are disturbing, the things they might do about them.

Q: What were some of your respective favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it really is for world control. While it is a clever twist on the original plot, it indicates that there is certainly less focus for the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and also at her very own motives and choices. This is an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced in the voice, which goes from rage to puzzlement for an unsure resume sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each in the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.




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